Saxofon gitarr låt

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They are dynamic dialogues between two of the most expressive instruments in jazz, each with its own voice and story. Guitarist, Grant Green, for instance, never (to my knowledge) recorded a straight sax-guitar quartet.

And with each listen, these albums become more than music; they cast a spell that never fades.

In the past twenty years, rising jazz guitar stars such as Gilad Hekselman, Brad Shepik, Dave Stryker, Samo Salamon, Steve Cardenas, Ben Monderand Charlie Ballantinehave all released exceptional sax-guitar albums with a handful of equally talented sax players.



These sax-guitar albums comprised a very small percentage of the albums released by ECM in those early years, but they stood out as sonic beacons for our ears and minds.

saxofon gitarr låt



If you're ready to dive into the world of saxophone-guitar combos, I have curated a Spotify playlist featuring my top 50 picks from the 180 in my collection, arranged chronologically for a memorable and exciting listening journey to the very heart of jazz.

My Top Ten Sax-Guitar Masterpieces


1



Extrapolation
John McLaughlin (with John Surman)
Marmalade
1969




2



Extensions
Dave Holland(with Steve Colemanand Kevin Eubanks)
ECM
1990




3



So Near, So Far
Joe Henderson (with John Scofield)
Verve
1993




4



Voice in the Night
Charles Lloyd (with John Abercrombie)
ECM
1999




5



The Next Step
Kurt Rosenwinkel (with Mark Turner)
Verve
2000




6



Lingua Franca
Peter Epstein(with Brad Shepik)
Songlines
2005




7



She Likes That
Geoff Vidal(with Joe Hundertmark)
Self Produced
2010




8



Hearts Wide Open
Gilad Hekselman (with Mark Turner)
LeChant Du Monde
2011




9



Homage
Adam NIewood (with John Scofield)
Vectordisc
2024





10




Auteur: Music Inspired by the Films of Wes Anderson
Amanda Gardier (with Charlie Ballantine)
Self Produced
2024



Happy listening!

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      Saxophone Meets Guitar: The Dynamic Duo of Jazz

      Imagine a smoky jazz club where the deep, soulful wail of a saxophone weaves effortlessly with the nimble, melodic lines of a guitar.

      They shimmer, sizzle and soar. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

      But in 1969 John McLaughlinbroke the mold; with his first album, Extrapolation, he shattered jazz norms with a fearless fusion of rock, blues, folk, and improvisation that still reverberates 55 years later.




      Tags

      Building a Jazz LibraryRobert MiddletonJim Hallcharles lloydGabor SzaboArnie LawrenceLarry CorryellKenny BurrellStanley TurrentineGrant Greenjohn mclaughlinECMJan GarbarekTerje RypdalRalph TownerMick GoodrickBill ConnorsJohn Abercrombiepat methenyBill FrisellJohn Scofieldjoe lovanoJoe HendersonChris PotterTommy SmithAdam NiewoodCharlie HunterDave EllisJohn EllisKurt RosenwinkelGilad HekselmanBrad ShepikDave StrykerSamo SalomonSteve CardenasBen MonderCharlie BallantineDayna StephensAmanda GardierSteve ColemanKevin EubanksMark TurnerPeter EpsteinGeoff Vidal


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      Support All About Jazz

      All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it.

      This rare instrumental combination is a hidden gem in the world of jazz that deserves more attention. Their next album, Complex Emotions, is set to drop the Friday after the 2024 presidential election, just in time for a weekend of celebration (We hope!). Instead, he played with a multitude of combos including piano, organ, vibraphone, and saxophone.



      In the late '90s, guitar wunderkind Kurt Rosenwinkelcollaborated with several up-and-coming saxophonists, producing a batch of standout sax-guitar albums.

      Then, in 1989, John Scofield, after a stint with Miles Davis, released a dozen or so sax-guitar combo albums over a 30-year period with top-tier saxophonists such as Joe Lovano, Joe Henderson, Chris Potter, Tommy Smith, and Adam Niewoodwith bluesy jazz that boasted an infectious groove.



      Next, Charlie Hunter, in the 1990s, astonished us all by playing a whole new kind of jazz guitar (with added bass strings) in trios with saxophonists Dave Ellisand John Ellisplaying funky jazz blues you could dance to.

      Unlike the structured precision of a piano-driven quartet, saxophone-guitar albums thrive on spontaneity.



      Jazz is not just a genre—it is a universe with galaxies of swing, bebop, hard bop, and free jazz.